{"id":326,"date":"2020-11-14T09:43:41","date_gmt":"2020-11-14T09:43:41","guid":{"rendered":"https:\/\/werfbaarn.nl\/wordpress\/pedro-rikie\/?page_id=326"},"modified":"2020-11-14T09:44:20","modified_gmt":"2020-11-14T09:44:20","slug":"all-time-2020","status":"publish","type":"page","link":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/all-time-2020\/","title":{"rendered":"All time 2020"},"content":{"rendered":"\n

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2 <\/td>2 <\/td>2 <\/td>2 <\/td>2 <\/td>2 <\/td>2 <\/td>2 <\/td>2 <\/td>1 <\/td>COVER <\/td>TITLE <\/td>ARTIST <\/td>YEAR <\/td><\/tr>
0 <\/td>0 <\/td>0 <\/td>0 <\/td>0 <\/td>0 <\/td>0 <\/td>0 <\/td>0 <\/td>9 <\/td><\/td><\/td><\/td><\/td><\/tr>
2 <\/td>1 <\/td>1 <\/td>1 <\/td>1 <\/td>0 <\/td>0 <\/td>0 <\/td>0 <\/td>9 <\/td><\/td><\/td><\/td><\/td><\/tr>
0 <\/td>6 <\/td>4 <\/td>3 <\/td>0 <\/td>7 <\/td>3 <\/td>2 <\/td>0 <\/td>3 <\/td><\/td><\/td><\/td><\/td><\/tr>
01 <\/td>1 <\/td>2 <\/td>6 <\/td>5 <\/td>6 <\/td>6 <\/td>9 <\/td>11 <\/td>15 <\/td><\/td>DARK SIDE OF THE MOON <\/td>PINK FLOYD <\/td>1973 <\/td><\/tr>
02 <\/td>4 <\/td>3 <\/td>3 <\/td>1 <\/td>3 <\/td>4 <\/td>6 <\/td>2 <\/td>2 <\/td><\/td>L.A. WOMAN <\/td>THE DOORS <\/td>1971 <\/td><\/tr>
03 <\/td>7 <\/td>14 <\/td>18 <\/td>10 <\/td>08 <\/td>22 <\/td>22 <\/td>16 <\/td>22 <\/td><\/td>IN THE COURT OF THE CRIMSON KING <\/td>KING CRIMSON <\/td>1969 <\/td><\/tr>
04 <\/td>09 <\/td>07 <\/td>05 <\/td>06 <\/td>05 <\/td>07 <\/td>08 <\/td>07 <\/td>01 <\/td><\/td>UNKNOWN PLEASURES <\/td>JOY DIVISION <\/td>1979 <\/td><\/tr>
05 <\/td>3 <\/td>1 <\/td>1 <\/td>2 <\/td>2 <\/td>1 <\/td>2 <\/td>15 <\/td><\/td><\/td>13 <\/td>BLUR <\/td>1999 <\/td><\/tr>
06 <\/td>5 <\/td>4 <\/td>2 <\/td>3 <\/td>4 <\/td>2 <\/td>3 <\/td>4 <\/td>4 <\/td><\/td>CLOSER <\/td>JOY DIVISION <\/td>1980 <\/td><\/tr>
07 <\/td>6 <\/td>5 <\/td>4 <\/td>4 <\/td>1 <\/td>3 <\/td>1 <\/td>1 <\/td>7 <\/td><\/td>ACHTUNG BABY <\/td>U2 <\/td>1991 <\/td><\/tr>
08 <\/td>2 <\/td>6 <\/td>7 <\/td>7 <\/td>19 <\/td>24 <\/td>17 <\/td>10 <\/td>12 <\/td><\/td>DISCIPLINE <\/td>KING CRIMSON <\/td>1981 <\/td><\/tr>
09 <\/td>10 <\/td>12 <\/td>15 <\/td>14 <\/td>11 <\/td>30 <\/td>26 <\/td>28 <\/td>21 <\/td><\/td>VIVA HATE <\/td>MORRISSEY <\/td>1988 <\/td><\/tr>
10 <\/td>08 <\/td>15 <\/td>14 <\/td>31 <\/td>31 <\/td>34 <\/td>37 <\/td>42 <\/td>- <\/td><\/td>MEDDLE <\/td>PINK FLOYD <\/td>1971 <\/td><\/tr>
11 <\/td>11 <\/td>13 <\/td>19 <\/td>17 <\/td>26 <\/td>42 <\/td>60 <\/td>51 <\/td>42 <\/td><\/td>CRIME OF THE CENTURY <\/td>SUPERTRAMP <\/td>1974 <\/td><\/tr>
12 <\/td>12 <\/td>9 <\/td>9 <\/td>9 <\/td>9 <\/td>19 <\/td>16 <\/td>14 <\/td>10 <\/td><\/td>THE JOSHUA TREE <\/td>U2 <\/td>1987 <\/td><\/tr>
13 <\/td>27 <\/td>27 <\/td>36 <\/td>22 <\/td>33 <\/td>17 <\/td>25 <\/td>26 <\/td>36 <\/td><\/td>THE LAMB LIES DOWN ON BROADWAY <\/td>GENESIS <\/td>1974 <\/td><\/tr>
14 <\/td>14 <\/td>10 <\/td>11 <\/td>11 <\/td>17 <\/td>10 <\/td>10 <\/td>9 <\/td>9 <\/td><\/td>SEVENTEEN SECONDS <\/td>CURE THE <\/td>1980 <\/td><\/tr>
15 <\/td>13 <\/td>8 <\/td>8 <\/td>8 <\/td>7 <\/td>5 <\/td>5 <\/td>5 <\/td>3 <\/td><\/td>THE SMITHS <\/td>SMITHS THE <\/td>1984 <\/td><\/tr>
16 <\/td>19 <\/td>16 <\/td>17 <\/td>26 <\/td>22 <\/td>13 <\/td>36 <\/td>46 <\/td><\/td><\/td>ELECTRIC WARRIOR <\/td>T. REX <\/td>1989 <\/td><\/tr>
17 <\/td>24 <\/td>21 <\/td>21 <\/td>16 <\/td>14 <\/td>11 <\/td>13 <\/td>19 <\/td>14 <\/td><\/td>154 <\/td>WIRE <\/td>1979 <\/td><\/tr>
18 <\/td>22 <\/td>19 <\/td>10 <\/td>15 <\/td>13 <\/td>8 <\/td>4 <\/td>6 <\/td><\/td><\/td>OK COMPUTER <\/td>RADIOHEAD <\/td>1997 <\/td><\/tr>
19 <\/td>23 <\/td>17 <\/td>12 <\/td>24 <\/td>20 <\/td>20 <\/td>18 <\/td>18 <\/td>18 <\/td><\/td>SANDINISTA! <\/td>CLASH THE <\/td>1980 <\/td><\/tr>
20 <\/td>20 <\/td>34 <\/td>27 <\/td>32 <\/td>36 <\/td>9 <\/td>7 <\/td>3 <\/td>5 <\/td><\/td>OUT OF TIME <\/td>R.E.M. <\/td>1991 <\/td><\/tr>
21 <\/td>16 <\/td>23 <\/td>25 <\/td>38 <\/td>37 <\/td>63 <\/td>61 <\/td>64 <\/td>- <\/td><\/td>REMAIN IN LIGHT <\/td>TALKING HEADS <\/td>1980 <\/td><\/tr>
22 <\/td>18 <\/td>29 <\/td>32 <\/td>12 <\/td>23 <\/td>57 <\/td>57 <\/td>44 <\/td>43 <\/td><\/td>SELLING ENGLAND BY THE POUND <\/td>GENESIS <\/td>1973 <\/td><\/tr>
23 <\/td>15 <\/td>11 <\/td>16 <\/td>13 <\/td>40 <\/td>18 <\/td>56 <\/td>43 <\/td>34 <\/td><\/td>SECRETS OF THE BEEHIVE <\/td>SYLVIAN DAVID <\/td>1987 <\/td><\/tr>
24 <\/td>28 <\/td>31 <\/td>31 <\/td>29 <\/td>38 <\/td>29 <\/td>53 <\/td>41 <\/td>41 <\/td><\/td>UNORTHODOX BEHAVIOUR <\/td>BRAND X <\/td>1976 <\/td><\/tr>
25 <\/td>21 <\/td>18 <\/td>22 <\/td>23 <\/td>32 <\/td>46 <\/td>44 <\/td>35 <\/td>50 <\/td><\/td>KIND OF BLUE <\/td>DAVIS MILES <\/td>1959 <\/td><\/tr>
26 <\/td>29 <\/td>30 <\/td>34 <\/td>74 <\/td>74 <\/td>67 <\/td>65 <\/td>60 <\/td>- <\/td><\/td>ALADDIN SANE <\/td>BOWIE DAVID <\/td>1973 <\/td><\/tr>
27 <\/td>30 <\/td>24 <\/td>23 <\/td>57 <\/td>35 <\/td>33 <\/td>31 <\/td>32 <\/td>37 <\/td><\/td>THIS IS THE SEA <\/td>WATERBOYS THE <\/td>1985 <\/td><\/tr>
28 <\/td>37 <\/td>33 <\/td>29 <\/td>59 <\/td>57 <\/td>51 <\/td>49 <\/td>55 <\/td><\/td><\/td>LONDON CALLING <\/td>CLASH THE <\/td>1979 <\/td><\/tr>
29 <\/td>33 <\/td>32 <\/td>26 <\/td>47 <\/td>29 <\/td>40 <\/td>32 <\/td>31 <\/td>31 <\/td><\/td>THE LAYLA SESSIONS <\/td>DEREK AND THE DOMINOS <\/td>1970 <\/td><\/tr>
30 <\/td>31 <\/td>20 <\/td>13 <\/td>30 <\/td>12 <\/td>16 <\/td>14 <\/td>8 <\/td>6 <\/td><\/td>HERMIT OF MINK HOLLOW <\/td>RUNDGREN TODD <\/td>1978 <\/td><\/tr>
31 <\/td>34 <\/td>38 <\/td>43 <\/td>35 <\/td>10 <\/td>12 <\/td>20 <\/td>23 <\/td>25 <\/td><\/td>A TRICK OF THE TAIL <\/td>GENESIS <\/td>1975 <\/td><\/tr>
32 <\/td>32 <\/td>22 <\/td>20 <\/td>40 <\/td>25 <\/td>25 <\/td>23 <\/td>17 <\/td>11 <\/td><\/td>THE GIFT <\/td>JAM THE <\/td>1982 <\/td><\/tr>
33 <\/td>35 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>ATOM HEART MOTHER <\/td>PINK FLOYD <\/td>1970 <\/td><\/tr>
34 <\/td>38 <\/td>43 <\/td>93 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>ISLANDS <\/td>KING CRIMSON <\/td>1971 <\/td><\/tr>
35 <\/td>25 <\/td>25 <\/td>24 <\/td>18 <\/td>24 <\/td>54 <\/td>- <\/td>- <\/td>26 <\/td><\/td>THE HEAD ON THE DOOR <\/td>CURE THE <\/td>1985 <\/td><\/tr>
36 <\/td>26 <\/td>26 <\/td>35 <\/td>33 <\/td>27 <\/td>35 <\/td>- <\/td>-- <\/td><\/td><\/td>BLUR <\/td>BLUR <\/td>1997 <\/td><\/tr>
37 <\/td>36 <\/td>40 <\/td>51 <\/td>28 <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>LIZARD <\/td>KING CRIMSON <\/td>1970 <\/td><\/tr>
38 <\/td>39 <\/td>47 <\/td>48 <\/td>44 <\/td>62 <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>TRILOGY <\/td>EMERSON LAKE & PALMER <\/td>1972 <\/td><\/tr>
39 <\/td>41 <\/td>39 <\/td>49 <\/td>34 <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>WHO'S NEXT <\/td>THE WHO <\/td>1971 <\/td><\/tr>
40 <\/td>42 <\/td>41 <\/td>52 <\/td>41 <\/td>51 <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>WISH YOU WHERE HERE <\/td>PINK FLOYD <\/td>1975 <\/td><\/tr>
41 <\/td>43 <\/td>36 <\/td>40 <\/td>55 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>HOUSES OF THE HOLY <\/td>LED ZEPPELIN <\/td>1973 <\/td><\/tr>
42 <\/td>44 <\/td>37 <\/td>33 <\/td>27 <\/td>- <\/td>52 <\/td>46 <\/td>33 <\/td>28 <\/td><\/td>MORRISON HOTEL <\/td>DOORS THE <\/td>1970 <\/td><\/tr>
43 <\/td>45 <\/td>45 <\/td>42 <\/td>66 <\/td>48 <\/td>37 <\/td>38 <\/td>48 <\/td>44 <\/td><\/td>TRANSFORMER <\/td>REED LOU <\/td>1972 <\/td><\/tr>
44 <\/td>46 <\/td>42 <\/td>37 <\/td>39 <\/td>46 <\/td>71 <\/td>69 <\/td>71 <\/td><\/td><\/td>BROTHERS AND SISTERS <\/td>ALLMAN BROTHERS BAND <\/td>1973 <\/td><\/tr>
45 <\/td>47 <\/td>46 <\/td>46 <\/td>21 <\/td>21 <\/td>32 <\/td>35 <\/td>38 <\/td>20 <\/td><\/td>DECADE <\/td>YOUNG NEIL <\/td>1977 <\/td><\/tr>
46 <\/td>48 <\/td>44 <\/td>39 <\/td>60 <\/td>-- <\/td>55 <\/td>52 <\/td>34 <\/td>24 <\/td><\/td>BRILLIANT TREES <\/td>SYLVIAN DAVID <\/td>1984 <\/td><\/tr>
47 <\/td>49 <\/td>48 <\/td>53 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>DESPERADO <\/td>THE EAGLES <\/td>1973 <\/td><\/tr>
48 <\/td>17 <\/td>28 <\/td>28 <\/td>19 <\/td>66 <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>STATION TO STATION <\/td>DAVID BOWIE <\/td>1976 <\/td><\/tr>
49 <\/td>81 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>FRAGILE <\/td>YES <\/td>1971 <\/td><\/tr>
50 <\/td>51 <\/td>77 <\/td>67 <\/td>49 <\/td>59 <\/td>53 <\/td>50 <\/td>52 <\/td>17 <\/td><\/td>DARKNESS ON THE EDGE OF TOWN <\/td>SPRINGSTEEN BRUCE <\/td>1978 <\/td><\/tr>
51 <\/td>52 <\/td>63 <\/td>61 <\/td>20 <\/td>41 <\/td>44 <\/td>42 <\/td>61 <\/td>33 <\/td><\/td>THE ROYAL SCAM <\/td>STEELY DAN <\/td>1976 <\/td><\/tr>
52 <\/td>55 <\/td>78 <\/td>68 <\/td>62 <\/td>70 <\/td>49 <\/td>41 <\/td>47 <\/td>- <\/td><\/td>HEAVEN UP HERE <\/td>ECHO AND THE BUNNYMEN <\/td>1981 <\/td><\/tr>
53 <\/td>40 <\/td>35 <\/td>30 <\/td>36 <\/td>16 <\/td>27 <\/td>27 <\/td>27 <\/td>19 <\/td><\/td>THE UNFORGETTABLE FIRE <\/td>U2 <\/td>1984 <\/td><\/tr>
54 <\/td>56 <\/td>54 <\/td>96 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>BOB TILL YOU DROP <\/td>RY COODER <\/td>1979 <\/td><\/tr>
55 <\/td>53 <\/td>69 <\/td>69 <\/td> -- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td> ENGLISH SETTLEMENT <\/td>XTC <\/td>1982 <\/td><\/tr>
56 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>ATOMATIC FOR THE PEOPLE <\/td>R.E.M. <\/td>1992 <\/td><\/tr>
57 <\/td>60 <\/td>49 <\/td>50 <\/td>52 <\/td>50 <\/td>28 <\/td>40 <\/td>63 <\/td><\/td><\/td>AJA <\/td>STEELY DAN <\/td>1977 <\/td><\/tr>
58 <\/td>59 <\/td>64 <\/td>59 <\/td>45 <\/td>55 <\/td>31 <\/td>24 <\/td>24 <\/td>- <\/td><\/td>HEAT TREATMENT <\/td>PARKER GRAHAM <\/td>1976 <\/td><\/tr>
59 <\/td>62 <\/td>52 <\/td>82 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td> LED ZEPPELIN IV <\/td>LED ZEPPELIN <\/td>1971 <\/td><\/tr>
60 <\/td>58 <\/td>65 <\/td>56 <\/td>25 <\/td>39 <\/td>64 <\/td>62 <\/td>54 <\/td>32 <\/td><\/td>A WIZARD, A TRUE STAR <\/td>RUNDGREN TODD <\/td>1973 <\/td><\/tr>
61 <\/td>54 <\/td>70 <\/td>72 <\/td>46 <\/td>75 <\/td>65 <\/td>63 <\/td>65 <\/td><\/td><\/td>SILK DEGREES <\/td>SCAGGS BOZ <\/td>1976 <\/td><\/tr>
62 <\/td>64 <\/td>57 <\/td>54 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>I ROBOT <\/td>ALAN PARSONS PROJECT <\/td>1977 <\/td><\/tr>
63 <\/td>66 <\/td>60 <\/td>60 <\/td>51 <\/td>42 <\/td>61 <\/td>47 <\/td>57 <\/td>- <\/td><\/td>MY LIFE IN THE BUSH OF GHOSTS <\/td>ENO & BYRNE <\/td>1981 <\/td><\/tr>
64 <\/td>63 <\/td>56 <\/td>45 <\/td>48 <\/td>34 <\/td>23 <\/td>21 <\/td>22 <\/td>8 <\/td><\/td>SOMETHING\/ANYTHING? <\/td>RUNDGREN TODD <\/td>1972 <\/td><\/tr>
65 <\/td>69 <\/td>62 <\/td>55 <\/td>-- <\/td>33 <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td>THE WALL <\/td>PINK FLOYD <\/td>1979 <\/td><\/tr>
66 <\/td>70 <\/td>53 <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td> SONGS FROM THE BIG CHAIR <\/td>TEARS FOR FEARS <\/td>1985 <\/td><\/tr>
67 <\/td>72 <\/td>72 <\/td>80 <\/td>71 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>WANT ONE <\/td>RUFUS WAINWRIGHT <\/td>2003 <\/td><\/tr>
68 <\/td>84 <\/td>88 <\/td>70 <\/td>68 <\/td>43 <\/td>15 <\/td>11 <\/td>20 <\/td><\/td><\/td>LAID <\/td>JAMES <\/td>1993 <\/td><\/tr>
69 <\/td>73 <\/td>73 <\/td>75 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>SONGS FOR BEGINNERS <\/td>GRAHAM NASH <\/td>1971 <\/td><\/tr>
70 <\/td>75 <\/td>81 <\/td>66 <\/td>56 <\/td>63 <\/td>50 <\/td>45 <\/td>40 <\/td>29 <\/td><\/td>THE VELVET UNDERGROUND & NICO <\/td>VELVET UNDERGROUND THE <\/td>1967 <\/td><\/tr>
71 <\/td>76 <\/td>59 <\/td>44 <\/td>53 <\/td>28 <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>VIOLATOR <\/td>DEPECHE MODE <\/td>1990 <\/td><\/tr>
72 <\/td>71 <\/td>55 <\/td>38 <\/td>54 <\/td>60 <\/td>72 <\/td>70 <\/td>73 <\/td>39 <\/td><\/td>MOONDANCE <\/td>MORRISON VAN <\/td>1970 <\/td><\/tr>
73 <\/td>65 <\/td>58 <\/td>57 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>WANT TWO <\/td>RUFUS WAINWRIGHT <\/td>2004 <\/td><\/tr>
74 <\/td>83 <\/td>91 <\/td>90 <\/td>42 <\/td>54 <\/td>45 <\/td>43 <\/td>67 <\/td>- <\/td><\/td>THIS YEARS MODEL <\/td>COSTELLO ELVIS <\/td>1989 <\/td><\/tr>
75 <\/td>68 <\/td>68 <\/td>94 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>SONGS FOR DISTINGUE LOVERS <\/td>BILLIE HOLIDAY <\/td>1957 <\/td><\/tr>
76 <\/td>77 <\/td>67 <\/td>71 <\/td>-- <\/td>-- <\/td>75 <\/td>72 <\/td>66 <\/td>- <\/td><\/td>SO <\/td>GABRIEL PETER <\/td>1986 <\/td><\/tr>
77 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>THE SEEDS OF LOVE <\/td>TEARS FOR FEARS <\/td>1989 <\/td><\/tr>
78 <\/td>78 <\/td>74 <\/td>88 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>DEAD BEES ON A CAKE <\/td>DAVID SYLVIAN <\/td>1999 <\/td><\/tr>
79 <\/td>80 <\/td>75 <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>COMMUNIQUE <\/td>DIRE STRAITS <\/td>1979 <\/td><\/tr>
80 <\/td>61 <\/td>50 <\/td>58 <\/td>63 <\/td>71 <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td>JOE'SS GARAGE act I <\/td>FRANK ZAPPA <\/td>1979 <\/td><\/tr>
81 <\/td>82 <\/td>97 <\/td>-- <\/td>-- <\/td>-- <\/td>43 <\/td>39 <\/td>-- <\/td><\/td><\/td>MORROCAN ROLL <\/td>BRAND X <\/td>1977 <\/td><\/tr>
82 <\/td>74 <\/td>76 <\/td>63 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>DISINTEGRATION <\/td>THE CURE <\/td>1989 <\/td><\/tr>
83 <\/td>86 <\/td>71 <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>BITCHES BREW <\/td>MILES DAVIS <\/td>1970 <\/td><\/tr>
84 <\/td>87 <\/td>85 <\/td>84 <\/td>61 <\/td>53 <\/td>60 <\/td>58 <\/td>49 <\/td>- <\/td><\/td>HOTEL CARLIFORNIA <\/td>EAGLES THE <\/td>1976 <\/td><\/tr>
85 <\/td>88 <\/td>86 <\/td>89 <\/td>75 <\/td>68 <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td>FLY LIKE AN EAGLE <\/td>THE STEVE MILLER BAND <\/td>1976 <\/td><\/tr>
86 <\/td>89 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>ALL FOOLS DAY <\/td>THE SAINTS <\/td>1985 <\/td><\/tr>
87 <\/td>85 <\/td>90 <\/td>91 <\/td>65 <\/td>44 <\/td>70 <\/td>68 <\/td>70 <\/td><\/td><\/td>HARVEST <\/td>YOUNG NEIL <\/td>1972 <\/td><\/tr>
88 <\/td>91 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>OBSCURED BY CLOUDS <\/td>PINK FLOYD <\/td>1972 <\/td><\/tr>
89 <\/td>94 <\/td>89 <\/td>81 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td> BODY AND SOUL <\/td>JOE JACKSON <\/td>1984 <\/td><\/tr>
90 <\/td>93 <\/td>87 <\/td>85 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>RUMOURS <\/td>FLEETWOOD MAC <\/td>1977 <\/td><\/tr>
91 <\/td>79 <\/td>80 <\/td>64 <\/td>73 <\/td>30 <\/td>14 <\/td>12 <\/td>12 <\/td><\/td><\/td>NEVERMIND <\/td>NIRVANA <\/td>1991 <\/td><\/tr>
92 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>ABBEY ROAD <\/td>THE BEATLES <\/td>1969 <\/td><\/tr>
93 <\/td>96 <\/td>95 <\/td>95 <\/td>-- <\/td>69 <\/td>62 <\/td>59 <\/td>50 <\/td><\/td><\/td>HORSES <\/td>SMITH PATTI <\/td>1976 <\/td><\/tr>
94 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>THE NIGHTFLY <\/td>DONALD FAGEN <\/td>1982 <\/td><\/tr>
95 <\/td>99 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td> STICKY FINGERS <\/td>THE ROLLING STONES <\/td>1971 <\/td><\/tr>
96 <\/td>95 <\/td>94 <\/td>97 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>RUNNING ON EMPTY <\/td>JACKSON BROWNE <\/td>1977 <\/td><\/tr>
97 <\/td>67 <\/td>66 <\/td>65 <\/td>50 <\/td>49 <\/td>73 <\/td>71 <\/td>58 <\/td><\/td><\/td>EXPOSURE <\/td>FRIPP ROBERT <\/td>1979 <\/td><\/tr>
98 <\/td><\/td>61 <\/td>47 <\/td>37 <\/td>45 <\/td>21 <\/td>15 <\/td>13 <\/td>13 <\/td><\/td>RAIN DOGS <\/td>WAITS TOM <\/td>1985 <\/td><\/tr>
99 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>AUDIOSLAVE <\/td>AUDIOSLAVE <\/td>2002 <\/td><\/tr>
100 <\/td>57 <\/td>83 <\/td>73 <\/td>43 <\/td>56 <\/td>- <\/td>- <\/td>- <\/td>35 <\/td><\/td>A KISS IN THE DREAMHOUSE <\/td>SIOUXSIE AND THE BANSHEES <\/td>1982 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>DE AFVALLERS <\/td><\/td><\/td><\/tr>
<\/td>50 <\/td>51 <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td>THE YES ALBUM <\/td>YES <\/td>1971 <\/td><\/tr>
<\/td>92 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>THE MOUNTAIN QUEEN <\/td>ALQUIN <\/td>1973 <\/td><\/tr>
<\/td>90 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>SALISBURY <\/td>URIAH HEEP <\/td>1970 <\/td><\/tr>
<\/td>97 <\/td>92 <\/td>78 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td> DIRE STRAITS <\/td>DIRE STRAITS <\/td>1978 <\/td><\/tr>
<\/td>98 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>REVOLVER <\/td>THE BEATLES <\/td>1966 <\/td><\/tr>
<\/td>100 <\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td> BLUE TRAIN <\/td>JOHN COLTRANE <\/td>1957 <\/td><\/tr>
<\/td><\/td>79 <\/td>62 <\/td>64 <\/td>15 <\/td>59 <\/td>55 <\/td>39 <\/td><\/td><\/td>SWORDFISHTROMBONES <\/td>WAITS TOM <\/td>1983 <\/td><\/tr>
<\/td><\/td>82 <\/td>41 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>THE HURING <\/td>TEARS FOR FEARS <\/td>1983 <\/td><\/tr>
<\/td><\/td>84 <\/td>74 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>CLOSE TO THE EDGE <\/td>YES <\/td>1972 <\/td><\/tr>
<\/td><\/td>93 <\/td>79 <\/td>-- <\/td>67 <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>YOU ARE THE QUARRY <\/td>MORRISSEY <\/td>2004 <\/td><\/tr>
<\/td><\/td>96 <\/td>92 <\/td>-- <\/td>52 <\/td>38 <\/td>29 <\/td>25 <\/td><\/td><\/td>MELLON COLLIE AND THE INFINITE SADNESS <\/td>SMASHING PUMPKINS <\/td>1995 <\/td><\/tr>
<\/td><\/td>98 <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>COSMO'S FACTORY <\/td>CREEDENCE CLEARWATER REVIVAL <\/td>1970 <\/td><\/tr>
<\/td><\/td>99 <\/td>98 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>MALI MUSIC <\/td>DAMON ALBARN <\/td>2002 <\/td><\/tr>
<\/td><\/td>100 <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>MADE IN JAPAN <\/td>DEEP PURPLE <\/td>1972 <\/td><\/tr>
<\/td><\/td>- <\/td>76 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>BROTHERS IN ARMS <\/td>DIRE STRAITS <\/td>1990 <\/td><\/tr>
<\/td><\/td>- <\/td>77 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>ASTRAL WEEKS <\/td> VAN MORRISON <\/td>1968 <\/td><\/tr>
<\/td><\/td>- <\/td>83 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>SKETCHES OF SPAIN <\/td>MILES DAVIS <\/td>1967 <\/td><\/tr>
<\/td><\/td>- <\/td>86 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>ZOOLOOK <\/td>JEAN MICHEL JARRE <\/td>1984 <\/td><\/tr>
<\/td><\/td>- <\/td>87 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>30 <\/td><\/td>DREAM OF THE BLUE TURTLES <\/td>STING <\/td>1985 <\/td><\/tr>
<\/td><\/td>- <\/td>99 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>AN AWESOME WAVE <\/td>ALT-J <\/td>2012 <\/td><\/tr>
<\/td><\/td>- <\/td>100 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>ODD BLOUD <\/td>YEASAYER <\/td>2010 <\/td><\/tr>
<\/td><\/td>- <\/td>101 <\/td>58 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>DEAR SCIENCE <\/td>TV ON THE RADIO <\/td>2008 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>67 <\/td>18 <\/td>36 <\/td>- <\/td>- <\/td><\/td><\/td>YOSHIMI BATTLES THE PINK ROBOTS <\/td>THE FLAMING LIPS <\/td>2002 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>69 <\/td>-- <\/td>-- <\/td>-- <\/td>-- <\/td><\/td><\/td>THE BOXER <\/td>THE NATIONAL <\/td>2007 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>70 <\/td>73 <\/td>26 <\/td>19 <\/td>21 <\/td><\/td><\/td>THE ART OF FALLING APART <\/td>SOFT CELL <\/td>1983 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>72 <\/td>-- <\/td>-- <\/td>-- <\/td>- <\/td><\/td><\/td>ARGUS <\/td>WISHBONE ASH <\/td>1972 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>-- <\/td>48 <\/td>28 <\/td>29 <\/td>23 <\/td><\/td>THE CROSSING <\/td>BIG COUNTRY <\/td>1983 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>47 <\/td>- <\/td>- <\/td>- <\/td><\/td><\/td>SOUND AFFECTS <\/td>THE JAM <\/td>1980 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>58 <\/td>41 <\/td>33 <\/td>30 <\/td><\/td><\/td>THE FAT OF THE LAND <\/td>PRODIGY <\/td>1997 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>61 <\/td>58 <\/td>54 <\/td>37 <\/td><\/td><\/td>(WHAT\u2019S THE STORY) MORNING GLORY ? <\/td>OASIS <\/td>1995 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>64 <\/td>47 <\/td>- <\/td>- <\/td><\/td><\/td>A RUSH OF BLOOD TO THE HEAD <\/td>GOLDPLAY <\/td>2002 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>65 <\/td>56 <\/td>48 <\/td>45 <\/td><\/td><\/td>SUPERUNKNOWN <\/td>SOUNDGARDEN <\/td>1994 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>72 <\/td>. <\/td>. <\/td>. <\/td><\/td><\/td>BUENA VISTA SOCIAL CLUB <\/td>BUENA VISTA SOCIAL CLUB <\/td>1997 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>-- <\/td>39 <\/td>30 <\/td>-- <\/td><\/td><\/td>GET READY <\/td>NEW ORDER <\/td>2001 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>-- <\/td>66 <\/td>64 <\/td>56 <\/td>27 <\/td><\/td>GREEN <\/td>R.E.M. <\/td>1988 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>-- <\/td>68 <\/td>66 <\/td>62 <\/td><\/td><\/td>THE RIVER <\/td>SPRINGSTEEN BRUCE <\/td>1980 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>-- <\/td>69 <\/td>67 <\/td>68 <\/td><\/td><\/td>HOWLING WIND <\/td>PARKER GRAHAM <\/td>1976 <\/td><\/tr>
<\/td><\/td>- <\/td>-- <\/td>-- <\/td>-- <\/td>74 <\/td>34 <\/td>-- <\/td><\/td><\/td>EVERYTHING AND NOTHING <\/td>SYLVIAN DAVID <\/td>2000 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>AQUALUNG <\/td>JETHRO TULL <\/td>1971 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>PLEASE DON'T TOUCH <\/td>STEVE HACKETT <\/td>1978 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>VIVA LA VIDA <\/td>COLDPLAY <\/td>2008 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>LOST SOULS <\/td>DOVES <\/td>2000 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>ARE YOU EXPERIENCED <\/td>JIMI HENDRIX EXPERIENCE <\/td>1967 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>ADVENTURES IN UTOPIA <\/td>UTOPIA <\/td>1980 <\/td><\/tr>
<\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td><\/td>THE BOATMAN'S CALL <\/td>NICK CAVE & THE BAD SEEDS <\/td>1997 <\/td><\/tr><\/tbody><\/table><\/div>WordPress Table<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"footnotes":""},"class_list":["post-326","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/comments?post=326"}],"version-history":[{"count":2,"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/326\/revisions"}],"predecessor-version":[{"id":329,"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/pages\/326\/revisions\/329"}],"wp:attachment":[{"href":"https:\/\/werfbaarn.nl\/wordpress\/index.php\/wp-json\/wp\/v2\/media?parent=326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}